Arial Std Rounded Light

Apart from the need to match the character widths and approximate/general appearance of Helvetica, the letter shapes of Arial are also strongly influenced by Monotype's own Monotype Grotesque designs, released in or by the 1920s, with additional influence from "New Grotesque", an abortive redesign from 1956.[8][9][10][11] The designs of the R, G and r also resemble Gill Sans. The changes cause the typeface to nearly match Linotype Helvetica in both proportion and weight (see figure), and perfectly match in width.[12] Monotype executive Allan Haley observed, "Arial was drawn more rounded than Helvetica, the curves softer and fuller and the counters more open. The ends of the strokes on letters such as c, e, g and s, rather than being cut off on the horizontal, are terminated at the more natural angle in relation to the stroke direction."[10] Matthew Carter, a consultant for IBM during its design process, described it as "a Helvetica clone, based ostensibly on their Grots 215 and 216".

Other options include using Google's web-font Nunito (as Kent Brewster recommended a few minutes ago), or setting up a font-face font on your own server, providing one of the rounded fonts (RockoFLF Bold, FF Din Rounded, Nunito, and Arial MT Rounded Bold are all options). (Technically, per Kent's comment, Glitch is using RockoFLF, with Arial MT Rounded Bold as the second font in the stack. At least, that's what they were doing a few months ago when I last looked at their code. ... Oh ... just checked again, and they've dropped the Arial MT Rounded Bold out of the stack. They're calling RockoFLF with an embedded font-face.)

Arial Std Rounded Light

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Apart from the need to match the character widths and approximate/general appearance of Helvetica, the letter shapes of Arial are also strongly influenced by Monotype's own Monotype Grotesque designs, released in or by the 1920s, with additional influence from 'New Grotesque', an abortive redesign from 1956. The designs of the R, G and r also resemble Gill Sans. The changes cause the typeface to nearly match Linotype Helvetica in both proportion and weight (see figure), and perfectly match in width. Monotype executive Allan Haley observed, "Arial was drawn more rounded than Helvetica, the curves softer and fuller and the counters more open. The ends of the strokes on letters such as c, e, g and s, rather than being cut off on the horizontal, are terminated at the more natural angle in relation to the stroke direction." Matthew Carter, a consultant for IBM during its design process, described it as "a Helvetica clone, based ostensibly on their Grots 215 and 216".

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